Glenn Dunks writes:
The main reason why Evil Dead II: Dead by Dawn was such a treasure trove for this feature was the way director Sam Raimi and his cinematographer Peter Deming (he of Lost Highway, Scream 2 and Mulholland Drive) play with the classic framing devices of shlock horror with its plays on shadow and light. In black and white it looks far classier than it does in colour and could easily be mistaken for a respectable fright flick from the early days of horror.
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